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네이(ney)
*재질 : 갈대
*사이즈 : 약 1.5 * 50 cm
세로로 잡고 부는 종적으로 약간 옆으로 비스듬히 잡고 분다. 갈대라는 의미의 네이는 지역에 따라 길이에 차이가 있지만 앞에 여섯구멍과 뒤에 구멍하나 있는 점은 공통적이다
* The ney is blown in a unique manner, which gives it its characteristic sound. The upper edge of the ney, which is just the top of a hollow cylinder, is placed between the two upper front teeth, inside the mouth. A small stream of air is directed with the tongue, and the upper lip surrounds the upper part of the ney. Moving the lip and tongue changes the pitch (up to a whole tone) and tone quality. This technique is very difficult to learn but once mastered gives great control over the timbre. Advanced players control the amount of turbulence in the air stream allowing a large variety of sounds from pure tones to extremely breathy sounds.
**
Holding the instrument:
If you're right handed like me, you use your left hand to cover the
top three holes and the thumb hole. The right hand covers the bottom
three holes. Your pinkies are free to do what they please. :) I
typically hold the nay at a 30-40 degree angle from my mouth; by varying
the angle, you can control your intonation if you hear yourself going
sharp or flat. I used to cover the holes with my fingertips, but I read
somewhere that you're actually supposed to use middle digits of your
fingers---can anyone verify this? I've switched to middle digits, and
I've found I have *much* more flexibility in bending pitches between
notes smoothly.
The mouth:
This is hard to describe; without a teacher, I spent a week of
trial-and-error trying different positions until I쟠ould make a noise
:) The important thing is to press the flute against your lips not in
the center of your lips, but off the the right side a little, so that a
seal is formed on the right side of the mouthpiece. If you blow a
stream of air straight ahead at this point, the airstream should be
split in half by the left side of the mouthpiece, with half of the air
going into the flute and half of it escaping the mouthpiece. This is,
at least, how I imagine it. :) The force of the air should be the same
force that you would use to cool a spoonful of hot soup. If you play
the european flute, the aperature of your lips should be a little large
and more relaxed than you would normally use. If you try all day and
still can't make a sound, don't be frustrated. Like I said, it's hard
to describe, and you'll probably have to experiment until you find what
works for you!
The fingers:
For now, you should always keep the thumb hole covered. Later it
will be useful in certain maqamat (like saba) for grace notes and trills
>from the fourth tone to the fifth tone of the scale. You'll also need
it for the bottom-most octave of the instrument, to reach certain
notes. I'm struggling with that particular octave currently :) Let's
skip that octave and look at the fingering for the two easiest registers
of the instrument. I'm going to assume you have a "D" nay; if you
compare your pitches to a piano and find they don't match these
fingerings, adjust the char accordingly.
The holes start with top of the instrument (left hand) and work down to
the bottom of the instrument
O = open hole
X = closed hole
C: X X X X X X
D: X X X X X O
E flat: X X X X O O
E half-flat: X X X O O O
E natural: X X / O O O
F: X X O O O O
F sharp: X O O O O O
G: O O O O O O
G (alt fing):X X X X X X <-- start of next register
A: X X X X X O
B flat: X X X X O O
B half-flat: X X X O O O
B natural: X X / O O O
C: X X O O O O
C sharp: X O O O O O
D: O O O O O O
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* 배송료
안내- 5만원 이상은
무료, 5만원
미만은 배송료(제주도 등 도서지방 제외) 4,000원 |
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[소리삶] 대표: 이영진
