±×³ª¿Í(Gnawa)¶ó´Â À½¾Ç°¡µé¿¡ ÀÇÇØ »ç¿ëµÈ´Ù°í ÇÏ´Â 3 Çö¾Ç±â·Î, È°ÀÌ ¾øÀÌ Æ¨°Ü¼ »ç¿ëÇÏ´Â ¸ð·ÎÄÚµî ºÏ¾ÆÇÁ¸®Ä«ÀÇ ¾Ç±âÀÔ´Ï´Ù.
Haj Houj, Geumbri¶ó°íµµ ÇÕ´Ï´Ù.
¼Ò¸®»î¿¡¼ ¼ÒÀåÀº ÇÏ°í ÀÖÁö¸¸ ¾Ë°í ÀÖ´Â »ç¶÷ÀÌ °ÅÀÇ ¾ø¾î ¿Ã·Á ³õÁö ¾Ê°í ÀÖ½À´Ï´Ù.
The gimbri is played by Gnawa (spelled "Gnaoua" in French writing), professional musicians and healers of sub-Saharan origin brought to North Africa centuries ago in the slave trade. Their ceremonies, called derdeba (in Morocco and Algeria) or stambali (in Tunisia), differ from the Sufi hadra in that jinns or supernatural beings are introduced and they are aimed at healing individuals. Essaouria is an important Gnawa center and is home to a Gnawa festival (see Related Web Links). Gnawas claim descent from Bilal (or Sidi Bilali), the black African slave freed by Muhammed who then became his muezzin. They most likely descend from Bambara (a catch-all term referring to any number of Malian peoples), Hausa, and other peoples living just south of the Sahara. The situation of Gnawa has been compared to that of Africans in the Americas who forged new religions and musics by combining the belief systems of the lands from where they came with those of their new homes |